The return of @factbot1
I created the original factbot1 as a twitterbot in 2014. Remember 2014? It was quite a different time, before the pandemic, Brexit and Trump. In fact Trump indirectly inspired the creation of the original bot.…
I created the original factbot1 as a twitterbot in 2014. Remember 2014? It was quite a different time, before the pandemic, Brexit and Trump. In fact Trump indirectly inspired the creation of the original bot.…
The new single from the forthcoming DRASS album, On The Hill. Available on all major streaming services.
This is JT. JT is a writer and standup comedian. He also has cerebral palsy. I met JT in Presuming Ed’s, via our mutual friend Scott, the sweariest man in Brighton. Like many able-bodied, I’d…
Inspired by Guy Debord’s Society of the Spectacle, the new single from DRASS tears into a world where images replace truth, rebellion gets branded, and life is lived at one remove – through screens, feeds,…
It’s 2026. Everyone hates AI. Artists, in particular, really fucking hate AI Which leaves me, an artist, who uses AI in their work, in a tricky position. This isn’t intended to be a rant, or…
Originally published in the aiEthix blog The Encyclopedia Galactica defines a robot as a mechanical apparatus designed to do the work of a man. The marketing division of the Sirius Cybernetics Corporation defines a robot…
I’ve been experimenting with a new AI video model, utilising my solar-powered GPU rig to animate some of the images I created for the printed Aberrations Volume 1 booklet last year. In keeping with the…
A recording of my talk at the Bath Royal Literary and Scientific Institution https://www.brlsi.org/ discussing AI, Art & Culture, followed by a very lively set of questions from the audience! (The recording was made via…
Written, arranged, produced, performed and generated by DRASS. For the video, I am leaning into the default ‘creepy influencer’ vibe of Flux – video generated with the FramePack generative-video model, entirely powered from the solar…
Eric Drass discusses AI in the context of the history of art technology. audio recorded at Creative Tech Meetup, Eagle Labs, Brighton 12/03/25